![Item #004804 A Good Point of View; by Chevilliard [1 print from The Masterpieces of French Art]....](/pictures/thumb/004804.JPG?v=1472082386)
Paris: Gravure Goupil et Cie, 1882. The sheet is 11.5 x 15 inches; the image is 7.25 x 10 inches. The print is a black-and-white image of the painting A Good Point of View by Vincent Chevilliard (1841-1904). No date of publication. The series The Masterpieces of French Art was..... More
London: Virtue & Co., 1855. Print 25 x 16 cm. of Sir George De Lacy Evans (1787-1870), engraved by William J. Edwards from a daguerreotype by Antoine Claudet. No date of publication, but the original daguerreotype was made in 1855. Evans was involved in several battles of the War of..... More
London: Harding & Lepard, 1830. 1 leaf 28 x 19 cm. Image is 12 x 9.5 cm. "Engraved by J. Cochran." Stipple engraving of Rachael Wriothesley, Lady Russell. Rachel, Lady Russell (1636-1723) was an English author whose second husband, William, Lord Russell, was involved in the Rye House Plot, for..... More
New York: Museum of Modern Art, 1957. Paperback. [28] p., 2 leaves of tissue plates: six wood engravings and one woodcut; 26 x 29 cm. Stitched blue-grey wrappers with label printed in red and black. Within original portfolio covered in the same glue-grey paper with matching printed label on the..... More
Paris: Gravure Goupil et Cie, 1882. The sheet is 11.5 x 15 inches; the image is 7.25 x 10 inches. The print is a black-and-white image of the painting Manon Lescaut by Pascal-Adolphe-Jean Dagnan-Bouveret (1852-1929). No date of publication. The series The Masterpieces of French Art was issued in the..... More
London: Harding, Tripbhook, & Lepard, 1825. 1 leaf 28 x 19 cm. Image is 12 x 9.5 cm. "Engraved by T.A. Dean." Stipple engraving of Charlotte Stanley, Countess of Derby (1599-1664), granddaughter of William I, Prince of Orange. She was famous for her vigorous defence of Lathom House during the..... More
New York: Malcolm & Hayes, 1982. 1 sheet 18 x 27 cm., intended to be folded once (but never folded), with an engraving of Benjamin Franklin walking on a city street, printed in blue and black. The image is 9.2 x 5.7 cm. "Engraved in 1956 it is here printed..... More
Council Bluffs, Iowa: Yellow Barn Press, 1997. DePol, John. Paperback. [16] p.: wood engravings by John DePol; 27 cm. Brown paper wrappers printed in red and stitched. Includes 2-page title page printed in red and black for a proposed book on barns that would have contained 12 engravings by DePol..... More
S.l. S.n., 1978. DePol, John. 1 sheet: 27.3 x 21 cm.; 7.5 x 12.3 cm. In orange and black with printed caption. Not one of the engravings found in Mott, The Old Printing Office, 1985. This undated engraving was probably produced in 1978 or later. In Near Fine Condition: slight..... More
Paris: Gravure Goupil et Cie, 1882. The sheet is 15 x 11.5 inches; the image is 10 x 7.25 inches. The print is a black-and-white image of the painting The Passing Regiment by Jean Baptiste Edouard Detaille (1848-1912). No date of publication. The series The Masterpieces of French Art was..... More
London: James Ridgway, 1841. Hand-colored copperplate engraving of the Broad-Leaved Euthales; plate is 25 x 15 cm. With 2 pages (1 leaf) of text from The Botanical Register. This engraving is dated Jan. 1, 1841. It was drawn by Miss Drake and engraved by G. Barclay. In Fine Condition... More
London: James Ridgway, 1841. Drake, Miss. Hand-colored botanical engraving of the Golden Cleome (Cleome lutea). 25 x 16 cm. With accompanying text describing the plant. This engraving is dated Dec. 1841 and signed: Miss Drake del.; G. Barclay sc. In Fine Condition. A very attractive hand-colored botanical engraving from the..... More
London: Cassell, Petter & Galpin, 1876. 1 413 x 289 mm. print from Christopher Dresser's influential Art Nouveau design book. Mat is 21 x 16 inches. Print is lithographed in gilt and colors. Scarce. In Near Fine- Condition: chip out of left edge, which is not visible under mat and..... More
London: Cassell, Petter & Galpin, 1876. 1 413 x 288 mm. print from Christopher Dresser's influential Art Nouveau design book. Mat is 21 x 16 inches. Print is lithographed in gilt and colors. Scarce. In Near Fine- Condition: left edge is trimmed somewhat unevenly, not visible under mat; clean and..... More
London: Cassell, Petter & Galpin, 1876. 1 413 x 288 mm. print from Christopher Dresser's influential Art Nouveau design book. Mat is 21 x 16 inches. Print is lithographed in gilt and colors. Scarce. In Near Fine- Condition: left edge is trimmed carelessly, not visible under mat; clean and bright..... More
London: Eglington & Co., 1892. 1 leaf (4 x 15 cm.) from The Theatre, July 1892, with a carbon print photograph of Aida Jenoure (12 x 9 cm.) attached. The photographer was Alfred Ellis (1854-1930), a British photographer who specialized in theatrical photography. The subject, Aida Jenoure (1863-1958?), was active..... More
London: Eglington & Co., 1892. 1 leaf (4 x 15 cm.) from The Theatre, Nov. 1892, with a carbon print photograph of Arthur Playfair (12 x 9 cm.) attached [Laurence Irving]. The photographer was Alfred Ellis (1854-1930), a British photographer who specialized in theatrical photography. The subject, Arthur Playfair (1869-1918)..... More
London: Eglington & Co., 1892. 1 leaf (4 x 15 cm.) from The Theatre, Dec. 1892, with a carbon print photograph of Clara Jecks (12 x 9 cm.) attached. The photographer was Alfred Ellis (1854-1930), a British photographer who specialized in theatrical photography. The subject, Clara Jecks (1854-1951), was an..... More
London: Eglington & Co., 1892. 1 leaf (4 x 15 cm.) from The Theatre, Oct. 1892, with a carbon print photograph of Evelyn Millard (12 x 9 cm.) attached. The photographer was Alfred Ellis (1854-1930), a British photographer who specialized in theatrical photography. The subject, Evelyn Millard (1869-1941), was an..... More
London: Eglington & Co., 1892. 1 leaf (4 x 15 cm.) from The Theatre, Sept. 1892, with a carbon print photograph of Frank Gillmore (12 x 9 cm.) attached. The photographer was Alfred Ellis (1854-1930), a British photographer who specialized in theatrical photography. The subject, Frank Gillmore (1867-1943), was an..... More
London: Eglington & Co., 1892. 1 leaf (4 x 15 cm.) from The Theatre, Sept. 1892, with a carbon print photograph of Georgie Esmond (12 x 9 cm.) attached. The photographer was Alfred Ellis (1854-1930), a British photographer who specialized in theatrical photography. The subject, Georgie Esmond (1871-1942), was an..... More
London: Eglington & Co., 1892. 1 leaf (4 x 15 cm.) from The Theatre, August 1892, with a carbon print photograph of Irene Vanbrugh (12 x 9 cm.) attached. The photographer was Alfred Ellis (1854-1930), a British photographer who specialized in theatrical photography. The subject, Irene Vanbrugh (1872-1949), was an..... More
London: Eglington & Co., 1892. 1 leaf (4 x 15 cm.) from The Theatre, Dec. 1892, with a carbon print photograph of J. Nutcombe Gould (12 x 9 cm.) attached. The photographer was Alfred Ellis (1854-1930), a British photographer who specialized in theatrical photography. The subject, J. Nutcombe Gould (1849-1999)..... More
London: Eglington & Co., 1892. 1 leaf (4 x 15 cm.) from The Theatre, August 1892, with a carbon print photograph of a group of actors from La Statue du Commandeur (9 x 12 cm.) attached. The photographer was Alfred Ellis (1854-1930), a British photographer who specialized in theatrical photography..... More
London: Eglington & Co., 1892. 1 leaf (4 x 15 cm.) from The Theatre, July 1892, with a carbon print photograph of a group of actors from Oscar Wilde's Lady Windermere's Fan (9 x 12 cm.) attached. The photographer was Alfred Ellis (1854-1930), a British photographer who specialized in theatrical..... More